

201 人评价
IN THE LAND OF BROTHERS is the intertwined story of Afghan refugees of Iran, in three decades. Starting in 1990, there is a ten-year gap between each episode. Masoumeh: An Afghan woman is searching for her missing husband who hasn't come home in two days, in the middle of a riot in Mashhad. Her daughter Hanieh is losing her hearing and wonders where her father is. Mohammad: A teenage Afghan boy is constantly being captured by the police and taken to the station for forced labor. His family works precariously in greenhouses, and he needs to find a solution on his own. Leila: A female janitor finds her husband dead before the new year's big celebration. As she and her son are illegally living in Iran, she needs to bury her husband without the house owners noticing, otherwise she might be deported. Qasem: The brother of Leila finds out his son had been killed in a proxy war in Syria. The government wants to grant citizenship to the Afghan families that've lost sons. The man struggles to reveal this to his wife Hanieh.
分为三个章节,时间分别是2001、2011、2021,每个章节都是不同的却相互关联的阿富汗主人公在伊朗20年间生活状况。他们的代表性与关联性让不同的章节与年代,变得紧密而有感染力。 ·角色:在三个主人公的选择上具有代表性,高中男生(2001)、已婚已育在富人家做工的女人(2011)、已婚已育的中年男人(2021)。他们的关联性则是,高中男生层和做工的女人是男女朋友,做工的女人与中年男人是兄妹。 ·视听:把角色处境、心态和所在环境、空间结合地很不错的视听。
梁梁丘🦋· 1 有用
#Sundance2024#聚焦伊朗的阿富汗难民,横跨三十年的三段叙事无论是叙事节奏还是剧本结构都有可圈可点之处,两位年轻的伊朗导演愿意深入到社群之中,在各种边缘性的身份与故事中寻找人性的共通,同时影像上保持了美学上的连贯性(本片的摄影在近年伊朗电影里都可以算前列)。第一个故事提供不同视角,第二个故事最为紧凑震撼,第三个故事相对贴近现代也最为心碎煽情,我们对于战争造成的后果创伤可能永远都了解不够,而细缝中难民问题背后都是鲜活的苦难与痛苦的欢愉,本次Sundance最被低估的长篇作品。
VicWallflower· 1 有用
#7thMIFFEST# 聚焦伊朗内部的阿富汗移民,撕开台面上那一整套虚伪的宗教兄弟圣战论述,让被掩盖的是低等难民身份,剥削劳作,性暴力,无处不在的不平等……在雪夜的番茄园也要学英语,只是二十年来,美军来了又走,塔利班走了又来,被剩下的人要么在圣战中被牺牲,要么在机场目送一切希望离开。第一和第三段不错,第二段故事节奏很奇怪,第一段的警察我可以。
电子大叫驴· 2 有用
#Sundance2024#World Cinema Dramatic Competition-Directing Award 应该算是近年伊朗电影中少见的聚焦国内难民政策的作品,目前看下来应该算是这个单元的惊喜之作。在一个非常古典的结构中穿插进了三个看似游离且毫无关联的故事,实则通过主角接力的方式完成了一出关于闯入者如何实现在地化的三幕剧,并且通过政治惊悚片、情节剧等类型手法的运用,使得摄影机在平等地扫过角色之后得以成功攫取观众的视线。伊朗电影导演们在审查与强权之下不但有力地书写自身的斗争历程,还尚有余力关注外族群落的离散经验,确实是独有的创作景观。
阿飞· 3 有用
简单的认知与信仰,决定了荒诞的精神抉择。从战争开始到美国撤军,贯穿20年的阿富汗难民遭遇,伊朗、美国、欧洲、塔利班,谁才是真理?真理一定不在欺人者一方。
不问
分三段,每段30分钟。第一段2001年时值美国入侵阿富汗,讲权利。第二段2010讲阶层。第三段2021美国从阿富汗撤军塔利班宣布胜利,同时又逢新冠疫情,讲身份。都是通过阿富汗在伊朗的难民来展开。又是西方的制作,所以尺度够大,但每个片段又都显得孤立和戏剧化。伊朗穆斯林警察竟然敢在自己工作的场所直接性侵阿富汗少年,同时这个警察又是处于他所处权利系统的下位者,真是色胆包天。然后又有伊朗穆斯林富人男女聚众饮酒的段落也是公然违反教义的大胆行为。还有就是把阿富汗难民指代成流浪狗的做法是否合适?最后用儿子的牺牲换来家庭伊朗身份的宣誓定格也是有刻意的煽动性。但其实西方对难民就都高尚又文明了吗?也是五十步笑百步吧。满足于加了有色眼镜的各种指摘。
superfat0204· 2 有用
三个故事个个有亮点
把噗
展现在伊朗的阿富汗难民生活。故事分成三个故事,三个相互有联系人的不同人生。拍得很刻意,似乎就是奔着电影奖而去。
优游卒岁
三个相隔10年且完全不同的故事。有时人物身份不好分辨。
只抓住6个
第三段最好。第二段有些理解不能。
Scheherenzade
这部电影描绘了阿富汗难民在伊朗的生活图景,情感细腻且充满人文关怀。 影片采用分段式叙事,每段故事间隔十年。 故事一:穆罕默德(2001年):作为一名屡次被警察抓去强迫劳动的阿富汗少年,他必须想办法,在家人打零工勉强维生的情况下,改变自己的命运。 故事二:莱拉(2011年):在新年庆典前夕,身为清洁工的她发现丈夫去世。由于是非法居留,她必须悄悄埋葬丈夫以避免被房东发现,或因此被驱逐出境。 故事三:卡西姆(2021年):他得知儿子在叙利亚的战争中阵亡。政府承诺为失去儿子的家庭提供公民身份,但他却挣扎于如何将这个噩耗告诉妻子哈妮耶。
— 郑允昶
口碑内容来自豆瓣,仅供参考
201 人评价
IN THE LAND OF BROTHERS is the intertwined story of Afghan refugees of Iran, in three decades. Starting in 1990, there is a ten-year gap between each episode. Masoumeh: An Afghan woman is searching for her missing husband who hasn't come home in two days, in the middle of a riot in Mashhad. Her daughter Hanieh is losing her hearing and wonders where her father is. Mohammad: A teenage Afghan boy is constantly being captured by the police and taken to the station for forced labor. His family works precariously in greenhouses, and he needs to find a solution on his own. Leila: A female janitor finds her husband dead before the new year's big celebration. As she and her son are illegally living in Iran, she needs to bury her husband without the house owners noticing, otherwise she might be deported. Qasem: The brother of Leila finds out his son had been killed in a proxy war in Syria. The government wants to grant citizenship to the Afghan families that've lost sons. The man struggles to reveal this to his wife Hanieh.